Last year’s vintage Fringe Festival threw up quite a few stars,... (continued)

Classically trained, with a bank of film, television and stage ex... (continued)

M is a reimagining of the myth of Medea

Fittingly for a play about the gruelling three-week long Tour de ... (continued)

Brash, loud and hilarious, The Crack has the ambitious aim of rev... (continued)

Lee Kern introduces his set by assuring the audience that he’s no... (continued)

This show for very young children is a rare treat: a nuanced, cap... (continued)

Paul Sinha had a problem: through a combination of chance and err... (continued)

An unfinished script means that apparently we are going to have t... (continued)

Arguably the most disappointing thing about Simon Evans' Fringe... (continued)

It wouldn't be the Fringe without a Reginald D Hunter show with t... (continued)

One wonders exactly how qualified playwright Peter Bird is to art... (continued)

 All The Queen’s Children is a well-intentioned, morally laudable... (continued)

The more likeable of Scottish comedian Paul Sneddon’s two persona... (continued)

It’s a classic combination for the comedy duo: the naïve apprenti... (continued)

Doon Mackichan wastes no time in getting to the point in Primadoo... (continued)

Mike Wozniak is distracted

Sex Traffic is a refreshing and frank examination of the state of... (continued)

There’s something reassuring about when a comic too young to appe... (continued)

Just off the right side of the bar in the basement of Milnes of R... (continued)