Works of art are often described as inspired; Harlekin, the lates... (continued)

Although open to debate, it’s a fair assumption that most teenage... (continued)

Staged in the heart of Edinburgh's gay district, Ponydance's late... (continued)

The cosy sitting room set that hosts The Boy James is hidden away... (continued)

There is a reason why Craig Hill's career hasn't reached the heig... (continued)

I love a late night Edinburgh festival stroll

Mick's show last year was 'ruined' by the screaming of thousands ... (continued)

Justin Moorhouse makes for a perfectly amusing comic – so long as... (continued)

Up ‘N’ Under, and Godber productions in general, have a joke ever... (continued)

Expectations loom high for the arrival of international comics to the Fringe

Caroline Mabey is that teacher

A fusion of music, dance and text, Potato Country has large asp... (continued)

As this ragtag group of ghostly virtuosos skilfully weave their h... (continued)

Case worker John is a diligent and passionate man

Improvisational comedy is an inherently risky genre

Tom Hackett is joined by one of our kid critics, Samantha Ovensto... (continued)

Our kid critic, Fin Rutherford, joins Fest's Louise Black for a n... (continued)

‘Jordan is a powerful and distressing piece of work

New girl on the block showcases the best new local talent at Electric Circus

Inspired by Marjorie Wallace’s book, The Silent Twins, Speechless... (continued)