The pick of this year's 'spoken word'

It's the biggest, most expensive and now most well-recieved shows... (continued)

Nicola Brooks highlights the strengths of Edinburgh’s youn... (continued)

Although inventive, this play fails to pack an adequately strong emotional punch

Fest's top five art exhibitions this week

Two monologues on the war in Iraq are compelling, but offer no new insights

Deftly hopping from paedophilia to poverty, from racism to rape, ... (continued)

Samba is a forceful front man and his songs - whether concise and... (continued)

Predictable and tensionless, there are few insights about MySpace... (continued)

Bob and Bob are sitting in a darkened room.  For the last five... (continued)

With a quality script from Academy Award winner Ronald Harwood an... (continued)

An anti-Iraq War message that bravely avoids sentimentality or si... (continued)

Thomas Hutchinson is not a poet, but he does know it. Poetry that is...

Certified Male digs deep into the modern male psyche

Wild performers satirise America's celebrity obsession in the midst of war

Steve and Jonah want to write the ""World's Greatest Fringe Play.... (continued)

An innocent and endearing world of gentle humour, scarcely any of... (continued)

The characters in this Geneva-set thriller are sticklers when it ... (continued)

It’s Fretwell’s refreshingly old school approach to... (continued)

Chan-wook Park's film has a great title, but that's all it has. I... (continued)