Fest's Louise Black and our kid critic Ciara Simms see Patrick Monahan

The historical material behind this play is hefty

When Clifford Odets’s Waiting for Lefty was first produced in New... (continued)

It seems you can hardly move in Edinburgh during August without b... (continued)

The Changeling, as befits its name, is a rather odd creature

Sometimes comedy really should be just for laughs

Jemma McDonnell, Kylie Walsh, and Maryam Hamidi have spent the la... (continued)

Coming onstage to rapturous applause, accompanied by a cheesy the... (continued)

After receiving a surprise nomination for the Best Newcomer award... (continued)

Robin Dingemans created this dance-collage in collaboration with ... (continued)

The Owl of Steven begins promisingly enough, because it's just La... (continued)

Contemporary dance isn't one of the Fringe's most accessible artforms

This production must contain the single most heinous act of sabot... (continued)

This unsuccessful reimagining of the oft-banned Frank Wedekind pl... (continued)

Images of war are projected onto a square of floor

In his interview last week, Tom Gray, in typically self-effacing ... (continued)

Two couples, one Swedish, one English, must face the news that th... (continued)

A pair of idiots whipping each other with leeks hardly seems like... (continued)

A pleasant enough hour of piano-based comedy with a supplementary... (continued)

One-person plays are always a risky affair, requiring an actor an... (continued)