Anatomy of Fantasy

★★★★
archive review (edinburgh) | Read in About 2 minutes
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Published 18 Aug 2010
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Contemporary dance isn't one of the Fringe's most accessible artforms. It's unlikely that the elegantly mystifying Anatomy of Fantasy will do much to alter this, but it does at least offer something for the casual observer as well as the seasoned expert.

Russian company Do Theatre concerns itself with a theme everyone can relate to - sex. Moving in highly stylised and often challenging fashion between scenes including a first meeting of lovers, orgasm and pregnancy, it can be easy to lose the thread. That said, one projected video of sperm is, if anything, rather too clear.

Anatomy of Fantasy combines the grace of classical ballet with the innovation of avant-garde dance in a way that can be spellbinding. The show is at its best in the higher-tempo sequences, and can become something of a chore as the energy saps from the slower scenes.

The sex act itself is viewed through the timeless metaphor of death as three female dancers cavort with scythes, combining discliplined poise and raw violence to great effect. The music and sound effects, produced live at the side of the stage, must rank as some of the best in Edinburgh this August.

For anyone searching for a way into the world of modern dance, Anatomy of Fantasy could be a good place to start. While not as esoteric as some works in the genre, the show still requires the audience to put in considerable effort to appreciate it fully.