The shape beneath the veil moves like a liquid shadow, fingers st... (continued)

We are what we click

Steve Larkin's reimagining of Tess of the d'Urbervilles relocates... (continued)

Dressed in normal clothes—jumpers, slacks, a slouchy dress—the sk... (continued)

Chris Haydon, Artistic director of London's Gate Theatre, returns... (continued)

Mind the Gap is a fun glance into the imagined lives of strangers.

Beverley sits in a hairdressers in England, having new hair extensions put in

An assured production from a young company of artists.

Immersing itself in the shadowy paranoia of postwar Europe, this ... (continued)

More than 20 years after the end of apartheid, South Africa is an altered place