Plastic Beach teeters between hypnotic and stupefyingly dull, mos... (continued)

“They look a bit like dancing Christmas trees, don’t they?” remar... (continued)

In this stormy adaptation of August Strindberg’s classic play, Mi... (continued)

"A sin is not a sin, if committed with enthusiasm," we are told d... (continued)

Two of this year's break-out Fringe successes herald a resurgence... (continued)

Some theatrical concepts are difficult to explain because they ar... (continued)

Visions is Greenlight Theatre’s companion piece to Seeing Double: Figures

The story of the US army’s attempts to use hot air balloons as we... (continued)

For the more prudent Fringe theatregoer, few productions offer be... (continued)

A sense of impending death is in the air as we file into Assembly... (continued)

If there is such a thing as a domestic circus scene, this is what... (continued)

Given Edinburgh’s popularity as an English language summer school... (continued)

Making the Kitsonian leap from standup comedy to theatrical (thou... (continued)

In theatre, simplicity is not always a virtue

There’s a narcissism to XXXO that’s sure to deter some theatregoers

Think of a Blue Peter summer expedition crossed with Bang Goes th... (continued)

As we enter the theatre, a game is in progress

Playwright Donald Smith’s rich monologue traces poet Robert Burns... (continued)

'The half’ is the time before a performance by which all actors m... (continued)

It's by no means an insult to suggest that Scotland's makar, Liz ... (continued)