A tense and beautifully-rendered show from Belt Up, now in its second year

Gerda Stevenson's exceptional piece is blighted by its final scene

Action To The Word’s take on Anthony Burgess' classic is a homoer... (continued)

A one-woman show—well, a two-hander if you count the goldfish—Wat... (continued)

This evening’s Edinburgh tour guide has had enough

From the creators of the much lauded Shunt Lounge, Nigel Barrett ... (continued)

Five actors take a seat in a small dark room

Paper Doll attempt to bridge genres, but end up slipping between the cracks

Young American company never quite hits its high

Aussie raconteurs are heavy on atmosphere but light on substance

Shakespeare gets a facelift at the Fringe, as Joe Spurgeon discovers

An obvious inspiration for art, theatre-makers have drawn from re... (continued)

Slick, polished satire

A nightmarish exploration of the author's dad issues

A funny, passionate take on Shakespeare's classic

Bluemouth's participatory marathon doesn't quite make it to the finish line

The Fringe is very much a broad church, and there's a number of e... (continued)

Marcus Kernohan looks at three award-winning shows arriving in Ed... (continued)

Their 2007 debut Mile End won a Fringe First and 2009's Beachy He... (continued)

It's been four years since 1927 enjoyed award-winning Edinburgh s... (continued)