Russell Howard blurs the line between fact and fiction, suggestin... (continued)

A sensory overload without exhilaration, Raz-Mataz is truly a gro... (continued)

Solo performances (especially those in intimate studio venues) po... (continued)

She lets us in on on all these aspects of her life with a rare ho... (continued)

A multi-sensory experience that leaves no part of our body uncons... (continued)

Weird, wacky, outrageous and, most of all, a lot of fun

With flawless poetic dialogue, this adventurous play awakens our ... (continued)

Rapid delivery and meticulous timing barely make up for a forgettable script

With his boundless enthusiasm and affable nature McTavish has no ... (continued)

His set zips by spewing energy at every turn, and though he flirt... (continued)

Marlowe plays four different women, rebelling against patriarchal... (continued)

The Comic Book Project involves a number of collaborative events ... (continued)

Hartley, whose work also features as the backdrop to Tim Crouch's... (continued)

Kentridge fuses elements of theatre and film with his own visual language

Its clichéd characters and weary recycling of stock gags only ... (continued)

Fails to deliver any new insights on either fantasy or domestic v... (continued)

The opening salvo of observation gags, aimed at both the dreaded ... (continued)

Tap Ole creates something spectacular: a passionate, innovative ... (continued)

Skepticism and fear must be brushed aside to enjoy this curious a... (continued)

Written by Scottish playwright Edward Nammi and inspired by Pinte... (continued)