The show's official Fringe programme entry describes Manband - Th... (continued)

What a comedy show promises and what it delivers can be worlds ap... (continued)

It’s always a pleasure to see a comic whose jokes can span the na... (continued)

Transferring Irvine Welsh's frank, disturbing novel to the stage ... (continued)

Plasma television screens and single mattresses make up the moder... (continued)

The International Book Festival isn't Edinburgh's only literary o... (continued)

It’s every girlfriend’s nightmare: to come home, having been fire... (continued)

Sea Wall is about as simple as theatre gets: one man on stage, ta... (continued)

When originally performed, Brecht's play would no doubt have caus... (continued)

Ben Schiffer, staff-writer on the inexplicably popular E4 teen dr... (continued)

A classic mélange of dysfunctional family drama and political deb... (continued)

In a festival programme that this year includes musicals about on... (continued)

The Pulitzer Prize-winning musical Rent has an admirable history.... (continued)

Last year’s Fringe success Eight pushed Ella Hickson into the fro... (continued)

Ahead of his appearence at the Book Festival, Frank Skinner tells... (continued)

Adapted from Dostoevsky’s novella Notes From Underground (1860), ... (continued)

It is, perhaps, a question reviewers ought to ask themselves more... (continued)

Zoe Lyons is understandably a little annoyed with Germaine Greer.... (continued)

In the increasingly genteel world of Fringe comedy, Glaswegian ne... (continued)

Zealous is too weak an adjective to describe Janeane Garofalo’s l... (continued)