The Penny Dreadfuls stormed last year's Fringe. A tightly wrought... (continued)

“Behind every great man stands a great woman.” There are few gre... (continued)

A nervous, fidgety comic at the best of times, Michael Fabbri loo... (continued)

To the piercing cries of air raid sirens and the thundering sound... (continued)

This one-woman show is harrowing from the outset, as a bloodcurdl... (continued)

There is little in a standard diet of fringe shows that can prepa... (continued)

Entertaining and refreshing, Matt Harvey has something that more ... (continued)

By his own admission, Matt Green is not the coolest of cats. His ... (continued)

Towards the climax of Too Many Last Cigarettes, a set based on an... (continued)

Gerry Howell likes facts. He says he has seven. For example, did ... (continued)

As the television programme Porridge surely attests, prison life ... (continued)

He may be the critics' darling, but looking around at tonight’s b... (continued)

Felicity Ward's latest show is all about herself. Far from egotis... (continued)

One-man science fiction rock opera Dinosaur Planet is, like its f... (continued)

Patrick Monahan's set contains none of the Stetson-waving, sand-b... (continued)

It seems something of an injustice to see Chris Cox wedged in the... (continued)

Striding out in front of a packed, sweltering house, Andrew Maxwe... (continued)

There is something very English about mixing the humour of day-to... (continued)

With two plays and and a compere slot at this year's Fringe, Phil... (continued)

The Unthinkable's bleak style and basic premise bring to mind dys... (continued)