You can get away with anything in musical theatre. That explains ... (continued)

Finlay Gall's Angle of Incidence is a disturbing theatrical perfo... (continued)

Ernest and the Pale Moon is not a lavish production which only ma... (continued)

Malcolm McLaren knows a lot when it comes to shameless self-promo... (continued)

Catapulted into the limelight with the release of his Oscar-nomin... (continued)

As audiences take to their seats for Babolin Theatre's latest pro... (continued)

Here’s a fresh-faced comedian who certainly doesn't b... (continued)

Garrison Keillor's plane was delayed, so the first day of the Boo... (continued)

Joe Wilkinson and Diane Morgan have fully justified the decision ... (continued)

Noir is an ambitious re-imagining of a 1930s detective thriller t... (continued)

This production would be more satisfying if it didn’t set out to ... (continued)

In the writing debut of Dublin actress Elaine Murphy, the audienc... (continued)

With the average ticket price at the Festival soaring to a whoppi... (continued)

Woody Allen's 1975 philosophical comedy is masterfully interprete... (continued)

Mervyn Peake’s Gormenghast trilogy has been described as a fantas... (continued)

Two historical figures become inexplicably intertwined in Freddy ... (continued)

Last year, Nick Doody had a revelation. Thrown into a slump by hi... (continued)

As 1940s music fills the air and flashes of light drench the danc... (continued)

Thanks to the GCSE English syllabus, I bear a grudge against Caro... (continued)

In 2004, a troupe of teenage boys thrilled the Fringe with an exp... (continued)