Since his last Edinburgh run, Simon Brodkin has written for and a... (continued)

With accents somewhere between Borat and a Bond villain, Rosa Wax... (continued)

Guess what? Reginald D Hunter likes the word 'nigga'. Despite pa... (continued)

Early in the show, Philip Escoffey asks for a show of hands to se... (continued)

Children's shows, however conceptually regressive they may seem, ... (continued)

The clue as to the quality of this show is in its tit... (continued)

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Television has long been a source for parody. From Saturday Night... (continued)

Gawky and self-effacing stand-up Tom Craine throws out warnings f... (continued)

“Why run a campaign when you can launch a crusade?” reads the tex... (continued)

Atkinson tells his audience early into this year's show that he w... (continued)

Colm O'Regan is a likeable chap. His Fringe debut is ostensibly a... (continued)

“It just got a bit awkward”, announces Bethany Black, having infl... (continued)

There's a new serial killer on the block, says Eugene Crowley, a ... (continued)

The obscurity of its title sets the tone for the rest of this new... (continued)

Loosely based upon Jean Paul Sartre’s No Exit, Burn is a play abo... (continued)

Amid the cacophony of boundary pushing, risqué, and downright biz... (continued)

More than 200 million migrants exist around the world today, a nu... (continued)

He’s tried edgy – that didn’t work. He’s tried topical – that did... (continued)