Almost ten years after Mark Ravenhill performed Product for its p... (continued)

Batting dusty-dark eyelids and swatting at a peroxide beehive big... (continued)

Naïve staging undermines Anna Jordan feisty feminist drama

Self-obsessed solo show forgets about the rest of the world

Love and loss in a family of vagrants

This bloodcurdling, rib-shattering escape mission lives up to the... (continued)

First-hand advice from the afterlife

The team behind The Pure, the Dead and the Brilliant are not, acc... (continued)

There's "nothing for free in Rome" complains Juvenal

An attempt to clothe the most famous of Old English epics in the ... (continued)

Bigmouth creator Valentijn Dhaenens turns his focus to the frontline troops

It is not every school that can boast a writer-in-residence, espe... (continued)

A loveable variety shambles that skewers self-indulgence and social media.

To confirm suspicions that every second Fringe show requires a gi... (continued)

It’s 5:30am on a summer morning in the late '90s and our protagon... (continued)

Apparently, we can only cope with a finite number of close friend... (continued)

A great war has taken place

Reclaiming words can be tough

Sleeping Beauty is in a heroin-induced coma on a Liverpool sink estate

Nassim Soleimanpour’s play without actors needs more matter with less art