Spitting Image writer Henry Naylor's Edinburgh follow up to his 2... (continued)

My Beautiful Black Dog might just be the cheeriest show about dep... (continued)

Forget the cosmopolitan

There's no one at the Fringe like Jamie Wood – probably no one on the planet

Sachli Gholamalizad is torn between the need to pull her mother c... (continued)

We love a good story

In 1920, Arthur Conan Doyle met Harry Houdini

This blistering new play from Rob Hayes, whose Awkward Conversati... (continued)

When embarking on this project, Toby Peach's ultimate goal was to... (continued)

Lee Coffey's debut could be the violent child of Enda Walsh's Disco Pigs

An unlikely slice of paradise in masks and mime from Familie Flöz

Striking a whimsical balance between juggling and ballet

In the middle of the stage, anachronistic in the book-lined livin... (continued)

From the toys we played with to the advice Granny gave, society h... (continued)

There isn’t much to laugh about in Shakespeare’s murderous epic o... (continued)

I'm dying—loudly and excessively—in a hail of foam Nerf gun bullets

For her Fringe debut, Emma Bentley has drawn heavily on research ... (continued)

Shakespeare's Globe is making its Fringe debut this year with cre... (continued)

The Table was a hit for Blind Summit at the 2011 Fringe. After to... (continued)

Lead theatre critic Matt Trueman picks out the best and most prom... (continued)