Paul Bright isn't the man standing before us on stage

Boris Johnson wants to win the Foster's Comedy Award

There's a sensory intensity to everyday experiences that we take ... (continued)

In Edinburgh the whole world seems to be on the move

It’s the end of the world as we know it, but these survivors don’t feel fine

Dudendance's site-specific piece at Dryburgh Abbey remembers the ... (continued)

Alexandra Wood proves her writing skill once again in this splint... (continued)

Lucy Ribchester reviews: Barbu Electric Trad Cabaret (5 stars) | ... (continued)

Despite having the most unwieldy title of the Fringe, Around The ... (continued)

Fresh from success at this year's Fringe First awards, Desiree Bu... (continued)

Forced Entertainment spark a debate about the art of performance itself

The salvation of raindrops

Real "chaps" should be charming conversationalists; sacred with t... (continued)

Q: So what’s Quizoola? A: It’s Forced Entertainment’s durational... (continued)

There's been a jangling outcrop of shows which squeeze guitar ban... (continued)

To Sleep To Dream, an audio work you experience blindfolded, is a... (continued)

The opening of storyteller and comedian Wil Greenway's performanc... (continued)

Behind the velvet and flash, magic is a trade that takes decades to master

Macbeth has never been filled with as much youthful angst as when... (continued)

There are few tautologies as infuriating as 'dark fairytale'