Matt Trueman reviews: Diary of a Madman (Traverse, 4 stars) | In ... (continued)

The Rooster and Partial Memory are two distinct works of dance th... (continued)

The outdoor rave scene was one of the defining features of the ni... (continued)

In Tents and Purposes is the perfect example of an Edinburgh Frin... (continued)

While not exactly the subtlest of plays, Eva O’Connor’s drama abo... (continued)

Feet squabble with each other, hands undulate in UV lighting like... (continued)

There is a familiar breed of one-man show that exists purely to d... (continued)

Occasionally, two performers have such natural on-stage chemistry... (continued)

A woman with a one-eyed cat, and a man on death row aren't the us... (continued)

A cluttered, bloodless adaptation of Dickens’ novel

Delia Olam’s rich voice oozes a call for equality

“Falling!” “Catch me!” So opens A Simple Space, as our plainly-dr... (continued)

Sober and compassionate analysis of ruptured identity

Michael Mears' family has been no stranger to global conflict, hi... (continued)

A charming bit of monkey business, but this adventure ultimately lacks bite

There is definitely a touch of 2015 Fringe hit Lemons, Lemons, Le... (continued)

A showcase for familial bonds, if not exactly great theatre

The title of Québécois artist-acrobats Flip FabriQue’s muscular n... (continued)

It’s not a complete car crash, but Wrecked is a long way from roadworthy

Foley’s an old Fringe fascination – a way of conjuring big fictio... (continued)