Matt Trueman sorts the dramatic wheat from the hackneyed chaff. T... (continued)

The Clique writer on bringing two very personal plays to the Fringe

There's a lot to say about Dyad Productions' one-person version o... (continued)

After a decade on the Fringe, US theatre company The TEAM are mak... (continued)

Manual Cinema’s show is full of doubles

Circus can make bodies invisibly strong, with performers’ slim fr... (continued)

Parachute Dance really do have a parachute – or at least somethin... (continued)

In this surreal stream-of-consciousness monologue, Queen Victoria... (continued)

In the running for the prestigious Amnesty International Freedom ... (continued)

He's messed with everything he touches – the conventions of Germa... (continued)

She's used the most intimate parts of her body to satirise voyeur... (continued)

Daniel Kitson gives good hermit, always has, and William Booth is... (continued)

Matt Trueman reviews: Revolt. She Said. Revolt Again (4 stars) | ... (continued)

These two pieces almost couldn’t be further apart

In March Microsoft released Tay, a Twitter chatbot

Jerzy Grotowski was one of the great theatre makers and thinkers ... (continued)

Nostalgia means a painful longing to return home

Apocalypse at a scale of 1:25, Bildraum is as startling a staging... (continued)

It Folds is most certainly a show that requires unfurling

Beth’s had better birthdays