This is a man in fear as he approaches sixty and Armageddon is co... (continued)

Macbeth: Who Is That Bloodied Man takes all those imaginings of m... (continued)

Cabaret Auschwitz: the most confused and misguided production at ... (continued)

Comedy re-imagined as mass therapy

If you're willing to go with the flow, the laughs will jump up an... (continued)

Hughes' half-baked ranting might not appeal to everybody

Reginald 'Da Voice' Hunter returns with a ""five-star voice, the ... (continued)

The show has some genuine laugh out loud moments but it feels pat... (continued)

Murray Lachlan Young invests far more in verse than just the word... (continued)

Punt and Dennis give a flat, though polished, performance stuffed... (continued)

For an upstart reviewer, attempting to evaluate Barry Cryer... (continued)

Dan Clark signs, seals and delivers an enjoyable hour of well-worked standup

The trial of an Australian folk hero demonstrates the hypocrisy of Empire

Ever wondered what a razor blade striking a wooden table sounds like?

Manos the Greek confuses smut for comedy

A full blown rejuvenation of the soul

In an age of soundbites, Dai gives a rare inisight into the many ... (continued)

A play in the back of a lorry restores faith in innovative, quality theatre

Mark Olver won’t set the world on fire, but you’ll ... (continued)

Stewart Lee branches out into high culture while staying rooted i... (continued)