One undeniable asset of musical comedy acts is that their tunes c... (continued)

Franco’s brutal dictatorship of the 1950s saw paranoia and secrec... (continued)

The duo's gorgeous daftness has only lost a little of its shine

In trying to appeal to too broad a church, this appraisal of Char... (continued)

Brought to the UK by the multi award-winning Richard Jordan Produ... (continued)

Richard DeDomenici is a performance artist whose artwork is cereb... (continued)

Cutting edge and complimenting each other perfectly, Sperling and... (continued)

Following up on his critically acclaimed reworking of Geoffrey Ch... (continued)

For the most part, this story of hardship in HMP Maze (aka Long K... (continued)

White Tea begins with the audience donning kimonos, and the two-w... (continued)

Theirs is a pairing, Liz Lochhead tells us, which has been bubbli... (continued)

The impressionist stays mostly within his comfort zone in his fir... (continued)

Fringe veterans The Kosh return with a one-woman theatre piece, w... (continued)

Icarus 2.0 is the latest offering from Fringe First winning pair ... (continued)

This play is a rare feat of story-telling, depicting the life of ... (continued)

A near master-class in interactive comedy, Rogue Males is Adam Ri... (continued)

Crude comedy can be a hazardous business. Comedians run the risk ... (continued)

Fringe newcomer Andrea Donovan has a long way to go. This one-wom... (continued)

In the first few minutes of Beachy Head, two film-makers find som... (continued)

Eugene Ionesco's Victims of Duty is one of the more light-hearted... (continued)