The format of Mark Ravenhill’s latest offering at the Edinburgh F... (continued)

Mother Goose has been kidnapped. We all know the police are ill-e... (continued)

"It's just a bit of pre-show music; carry on chatting" says Matth... (continued)

Normality, a South African one-man play starring Pedro Kruger, is... (continued)

The Gannet, from Fat Content Theatre Company, is a post-modern ta... (continued)

With the Fringe bulging obesely with single-performer shows, sure... (continued)

A single sheet of hideously unattractive yellow wallpaper and a s... (continued)

A boy from a backward Irish village hits the road, and has all ki... (continued)

A regular performer at the Fringe since 1994, Simon Munnery is le... (continued)

Since his last Edinburgh run, Simon Brodkin has written for and a... (continued)

With accents somewhere between Borat and a Bond villain, Rosa Wax... (continued)

Guess what? Reginald D Hunter likes the word 'nigga'. Despite pa... (continued)

Early in the show, Philip Escoffey asks for a show of hands to se... (continued)

Children's shows, however conceptually regressive they may seem, ... (continued)

The clue as to the quality of this show is in its tit... (continued)

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Television has long been a source for parody. From Saturday Night... (continued)

Gawky and self-effacing stand-up Tom Craine throws out warnings f... (continued)

“Why run a campaign when you can launch a crusade?” reads the tex... (continued)