On principle, you can’t really take issue with the elder statesme... (continued)

An Edinburgh Fringe reprise for Robert Newman's long-touring, wry... (continued)

26 years old and handsome as hell, Patrick Turpin’s debut Fringe ... (continued)

After a series of mutually disappointing festivals, the chip on G... (continued)

Imagine the papercuts you’d suffer over 25 years of this stuff

With its high, corniced ceilings and plush carpetry, Studio One i... (continued)

Everywoman comedy full of truths and half-truths, packed with som... (continued)

Hitchcock fans rejoice! Number 8, the legendary director’s first ... (continued)

Middle class male absurdists in their late 20s with an enfeebled ... (continued)

The Pin—aka chummy duo Ben Ashenden and Alex Owen—have been ascen... (continued)

A triumph of revolutionary cabaret comedy

Plenty of comedians have material about being a knackered, forty-... (continued)

Capably conveying Andrew O'Neill's passion for heavy metal with a... (continued)

If life has taught Markus Birdman anything, it’s that optimism do... (continued)

One mustn't judge on appearance alone, notes Ahir Shah, in a long... (continued)

You remember Michelle McManus, don't you? She's the one who wasn'... (continued)

Dane Baptiste makes his Edinburgh standup debut as—he tells us—“o... (continued)

A series of pleasant but rather insipid observations

Some comedy sets are like machines

An exquisitely imaginative journey, alive with detail, conflict and comedy