Write of Passage

115270 original

Michael Groce’s story is one that could be fascinating. The shooting of his innocent mother by police, who were looking for her son after he went on the run, was the spark that ignited the Brixton Riots. A theatrical production produced and starring the man himself - in which he admits his mistakes and considers their impact - has the ability to shine.

Unfortunately, this show does not. It focuses on the days leading up to Groce’s mother’s shooting (she survived, but was paralysed) and although we delve into his psyche, the show does little more than offer an insight into his character as a young man involved in crime. This could have merit in itself, but unfortunately the story becomes slightly dull until we see Groce absconding, a point at which the show starts to improve. The set is simple, no doubt owing to the tiny budget such a community production has, and there are a number of technical hitches, but sadly the acting does not compensate.

There are highlights in a song from one of the three-strong cast and some of Groce’s monologues and poetry, but alone they do not do enough to salvage the show. This man’s story is a fascinating one, as is his redemption and new career in poetry - certainly making him worthy of attention. But this production does not do the story justice, focusing on too narrow a component. The cast are amiable and engaging as community activists, but their artistic merit here does not match their warmth.