Haunted

Despite telling the 'true' story of demonic possession in smalltown USA, Haunted is not Paranormal Activity: The Ballet. It’s not frightening, although the cast clambering over the audience, purring like they’re looking for a lost cat, is a little disconcerting. Neither does it attempt to be realistic or believable. Instead, this is an abstract but enjoyable fusion of dance and music.

The dancing is precise and inventive, the dancers remarkably in tune with each other. Some of their contortions and leaps have an unnerving, inhuman grace. The only faults are some repetitive choreography and a tendency to overplay facial expressions. However, the finely honed performances are a testament to an experienced and cohesive cast.

They are supported by a constantly evolving soundtrack, combining an onstage band and recorded effects. The various clicks and whistles sound like a broken satellite, but they are pleasing nonetheless. Indeed, the addition of classic gospel songs can make it hard to concentrate on the dancers. The sonic mish-mash only goes too far when it starts adding obnoxious special effects to the original 1949 news report of the possession.

In fact, the story is the main weak point. Replacing the Catholic power of Satanic possession with a generic scented-candle spirituality, it feels limp and unnecessary. The show is at its best when it abandons narrative entirely.

With Haunted, Dance Box Theatre prove to a European audience they are a solid and professional dance ensemble. Anyone looking for some ghostly move-busting should give them a call.